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Souls Of We - Let The Truth Be Known

Release: Souls Of We - Let The Truth Be Known

Souls Of We - Let The Truth Be Known
Inhaltsangabe

01. January 4:52
02. Skeleton Key 3:42
03. Key of Noise 4:35
04. Push It 4:18
05. Gandhi's Got a Gun 4:40
06. Psycho Circus 4:16
07. Crawling 4:15
08. Everything I Want 4:51
09. Adeline 5:22
10. st.jude 5:02
11. Sorry to Say 4:15
12. Under the Dead Tree 4:21
13. Let the Truth Be Known 3:50

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Hinweise
Genre : Hard Rock
Country : USA
Year : 2008

The everchanging musical world of George Lynch continues to evolve. Lynch, who’s been an 80s metal rocker, a grunge player, an alt-metal player and a rap metalist, comes back with a new band called Souls Of We that is a whole lot less focused on his playing than anything he’s ever done. The distinctly modern sound of Souls Of We could find itself on commercial radio if anyone would look past the fact that it’s George Lynch – an old face in the world of new bland faces of modern rock.

After giving LET THE TRUTH BE KNOWN several listens, there’s just not a finger to put on what this is actually trying to be. It’s not overly modern, but it’s not a throwback either. It’s really nothing like Lynch has done before, nor is it like the work of vocalist London LeGrand from Brides Of Destruction. The most distinct thing to be said about LET THE TRUTH BE KNOWN is that it’s not Lynch Bizkit and it’s not Dokken. Lynch himself told me a few weeks ago this very same thing, and he wasn’t kidding. His playing on songs like “St. Jude” is far more tempered and less bombastic than anything in his past. While he does rock from time to time (like on “January”), it’s clear that this project is trying hard to avoid even the slightest hint of Lynch’s past which would subject it to comparison and, ultimately, disappointment. Lynch does have his typical inspired moments, like the intro to “Ghandi’s Got A Gun”, but overall his playing is solid without the “Mr. Scary” persona.

Interestingly, it’s not Lynch that stands out at all on LET THE TRUTH BE KNOWN. He’s his typical solid, but he’s not the key element of the album. The key performer here is vocalist London LeGrand. While he’s not the best vocalist out there, he’s not terrible either. There are times when he sounds really good, like on “Everything I Want” wherein he reminds a lot of the 90s sounding Geoff Tate, but then there are times like on the ridiculously out of place “Psycho Circus” (no, not a Kiss cover, but equally bad) where he just sounds like a nasally whiner. Overall, LeGrand puts forth an adequate performance, but it will be his voice that will determine if you like or hate the Souls Of We.

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