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Paradise Lost - In Requiem

Release: Paradise Lost - In Requiem

Paradise Lost - In Requiem
Inhaltsangabe

01.Never for the Damned
02.Ash & Debris
03.The Enemy
04.Praise Lamented Shade
05.Requiem
06.Unreachable
07.Prelude to Descent
08.Fallen Children
09.Beneath Black Skies
10.Sedative God
11.Your Own Reality

ED2K-Links

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Hinweise
Genre : Gothic Metal
Country : UK

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Nick Holmes (vocals), Gregor Mackintosh (guitar), Aaron Aedy (guitar), Stephen Edmondson (bass), Jeff Singer (drums)

A Halifax Heavy Metal band, replete with Gothic overtones and a trademark "bleak" outlook on life, that has gradually diverted into more mainstream territory to increasing commercial success. PARADISE LOST started life as a Death Metal act and, since their inception in 1988, the group have gained a huge reputation in Europe, where all of their albums have sold strongly. Their campaigning in Europe, and in particular Germany, exposed the band to increasing Dark Wave elements, which would impact upon the band's sound.

The band's opening gig was secured by their debut demo, the 1988 single track rehearsal recording 'Morbid Existence', given to Bradford's Frog and Toad pub. Proceeds from their second demo were used to finance their first two European gigs in Holland. Further demo cassettes ensued, in 1989’s 'Frozen Illusion' and 'Pain Of Desolation'.

Securing a contract with the newly established local imprint Peaceville Records, PARADISE LOST laid down their opening album tracks throughout the winter of 1989 at Academy Studios in Bradford, label boss Hammy manning the control desk to score a production credit. Kay Field contributed female vocals to the track ‘Breeding Fear’. 'Lost Paradise'’s eminence in a sea of international Death Metal was hung on the unusually brooding, near doom nature of the band’s approach and the conviction of Holmes’ narrative, especially his unorthodox lyrical delivery. This latter trait would come to serve the band well, often being the focal point of fans obsession. In keeping with this less than conventional slant, the group’s second offering came that same June with the 12” EP 'In Dub', hosting two radically remixed album tracks. The year was capped by the issue of a live video, 'Live Death', filmed at the Bradford Queens Hall in November 1989.

Capitalising on this solid progress PARADISE LOST was rushed back into Academy Studios in November 1990, working with engineer Keith Appleton to cut a second album. March 1991's 'Gothic' album, also on Peaceville Records, secured the band chart placings across Europe, in particular selling large quantities in Germany. The album once again expanded beyond the traditional Death Metal format, employing The Raptured Symphony Orchestra and female singer Sarah Marrion. Assuredly, Gothic catalysed the genre that would follow in its wake, the album’s authority spawning legions of imitators.

Once live work had been concluded, PARADISE LOST switched labels to the larger independent concern Music For Nations. The group released the 'Shades Of God' album in July 1992. Produced by Simon Effemy at Longhome Studios in Northampton and including keyboards from Robert John Godfrey of eccentric Progressive Rock outfit THE ENID and a return for Sarah Marrion, it was a record which was to pull the band out of the underground and into the mainstream. Until this juncture PARADISE LOST’s triumphs had all been on mainland Europe, even the UK had not truly recognised the band. 'Shades Of God' provided the vehicle to make their presence felt at home and across the world. Regular vinyl versions of the album came minus the track ‘As I Die’, backed by outtakes ‘Rape Of Virtue’ and the group's first attempt at a cover version in ATOMIC ROOSTER's ‘Death Walks Behind You’, the song chosen for a single release in April 1993.

In 1993 PARADISE LOST undertook their first tour of North America supporting MORBID ANGEL and KREATOR. That summer the band commenced work on their fourth full-length opus, 'Icon', utilising Jacobs Studios and retaining Simon Effemy as producer. Female vocals were this time contributed by Denise Bernard whilst Andrew Holdsworth supplied keyboard embellishments. 'Icon', released in September 1993 hit the national German charts at number 31. To close the year the band put in openers in the UK to Brazil's SEPULTURA.

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