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Banco De Gaia - Last Train To Lhasa (Special Edition)

Release: Banco De Gaia - Last Train To Lhasa (Special Edition)

Banco De Gaia - Last Train To Lhasa (Special Edition)
Inhaltsangabe

CD1:
01. Last Train To Lhasa (11:43)
02. Kuos (6:56)
03. China (Clouds Not Mountains) (7:30)
04. Amber (7:35)
05. Kincajou (6:47)
06. White Paint (6:06)
07. 887 (Structure) (14:18)

CD2:
01. Kuos (Gnomes Mix) (11:19)
02. Kincajou (Duck! Asteroid) (36:10)
03. Eagle (Small Steppa Mix) (12:34)

CD3:
01. China (Follow The Red Brick Road) (9:30)
02. Amber (Insect Intelligence) (10:23)
03. 887 (Darkside Return) (22:32)

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Hinweise
Label: Planet Dog
Catalog#: BARK CD 011S
Format: 3xCD
Country: UK
Released: 1995
Genre: Electronic
Style: Downtempo, Ambient
Credits: Producer - Andy Guthrie, Toby Marks
Written By - Toby Marks
Notes: Limited edition with bonus third CD.

"Totally classic and unmissable ambient/downtempo long player. If you have a collection that includes The Orb, Global Communication and Irresistible Force CDs you really mustn't be without this one. Beautifully constructed, absorbing, chilled and mesmerising. The 36 minute version of Kincajou is a trip!" (steady-j - 10-Mar-06 02:52 PM, discogs.com)

"This is the sound of the techno-tribe, banging a drum with one hand and a mouse with the other.
Toby Marks, AKA Banco de Gaia, doesn't want to work; he just wants to bang on the drum all day.
Thankfully, he makes a pretty joyous noise-a full-bodied amalgam of the Orb, Loop Guru, and Transglobal Underground. Using an army of ethnic and indigenous samples (from Indian drums and chants to woodblocks, rainsticks, and Oriental shakers) and zapping them through the technological prism, Banco de Gaia creates a modern-day techno-folk music that calls up the shaman buried deep in our ancestral memory. Of course, Marks' idea of the shaman is the contemporaryelectronic-music producer or the DJ. The barmy rhythms pouncing about here work at home and on the disco-floor, but their most appropriate setting would be a dancehall in Uganda. Marks' natives whip up the digital atmosphere with incendiary frenzy. From the chugging locomotive techno of "Last Trainto Lhasa"' to the pan-cultural rhythmic stew of "Kincajou" and the burbling Orient-meets-the-Orb synthesizer textures of "887", LAST TRAIN TO LHASA is an intoxicating descent intoprimitive ritual madness." (amazon.co.uk)

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