1971. At the NAMM convention, Bob Moog introduces the Minimoog, the very first compact and affordable synthesizer for musicians. With its fat sound and unparalleled filters, the Minimoog eventually became responsible for some of the best analog synth bass and lead sounds ever. 2004. At the NAMM show, Arturia introduces the minimoog V, a faithful reproduction of the Minimoog. Offering all the features of the original, the software version also brings polyphony, MIDI management, presets, coupled with other advantages of modern tools - behind the control panel are additional functions: a modulation matrix, an arpeggiator and an independent LFO as well as a stereo chorus and a delay.

But what about the core of the Minimoog, the sound? Thanks to TAE®, Arturia’s proprietary technology for emulating analog circuits, the minimoog V offers an unchallenged quality of sound. Sharp filters, aliasing-free oscillators, soft-clipping guarantee you have the best analog emulation on the market.

Features

Stereo synthesizer
Mono / polyphonic (up to 32 voices per instrument with unison possibilities)
Soft clipping function
No aliasing from 0.1 Hz to 20 kHz
64-bit floating point precision
Sampling rate: up to 96 kHz
More than 500 presets, made bytalented sound designers and artists
Playable through a MIDI keyboard
3 voltage-controlled oscillators (with 5 waveforms)
1 LFO
The 24 dB/oct filter!
1 noise generator
2 ADS(R) envelopes
1 VCA
1 mixer
1 modulation matrix offering up to 6 different connections (12 sources, 32 destinations)
1 arpeggiator
1 stereo delay
1 three-mode chorus
1 external audio input
1 external oscillator and filter modulation input

What's new in v1.6:

Vst 2.4 \ Cubase 4 ready
Factory presets have been checked and re-tuned
A new installer, regrouping all previous updates
Bug fix: improved stability of the oscillator
Bug fix: better Pro Tools integration